Thought Behind Things

Financial independence reshapes how women move through the world

A conversation with travel creator Saman Sumro on independence, privilege discourse, and why hard work gets criminalized online.

  • Ep 3
  • Sep 25, 2020
  • 5 min read

Audio-only episode. Listen here:

From Parlo to finding her voice

Muzamil opens by tracing Saman’s online journey. She didn’t plan to become a creator; it started in 2017 when Ramesh Safa invited her to be a live show host at Parlo, a Pakistani digital platform that produced several creators who later became independent stars. “I was actually working for Parlo and I was their live show host. And that was also very accidental,” Saman recalls. Viewers started asking about her life, her travels, and where she was going. Parlo was producing a travel show called Desi and Pardes, and Saman became the on-ground host for episodes filmed in Turkey, with the network covering all expenses. That first solo trip abroad changed everything. She was 23, juggling dentistry school, working at Parlo, and figuring out what made her happy. The pressure was immense, but the independence was intoxicating. “This kind of independence I want,” she says of that period. “Basically I understood what makes me happy.”

The weight of financial independence

Muzamil asks directly about her compulsion toward self-sufficiency. Saman explains that since childhood, she felt guilty taking money from her father. “I did not like taking money from my dad. And that was a very big problem in my life because I used to feel guilty.” She gave private tuition, took small online jobs, anything to earn her own money. This wasn’t about proving anything to her parents; it was about autonomy itself. She argues that Pakistan’s core problem is that women lack financial independence, leaving them trapped in circumstances they cannot escape. “I feel like Pakistan’s problem is because women aren’t financially independent. Basically, if you have studied my bio, my bio actually states that I want to motivate and inspire women to be financially independent, to be able to do things alone, to be able to solo travel also,” she tells Muzamil. Financial independence isn’t insurance for catastrophe; it’s the foundation of dignity in daily life.

Muzamil steers the conversation toward the controversy that recently engulfed Saman. She made a video speaking about inequality in Karachi, raising her voice about problems affecting millions. Online critics attacked her for speaking from a position of relative comfort, essentially telling her: you’re privileged, so you have no right to criticize. Muzamil pushes back on this framing. “I’m trying to understand the line of thought where you can’t raise a question because now you’re above a certain bar,” he says. Saman points out that the internet’s loudest voices complaining about privilege are themselves in the top 3% of Pakistan’s income distribution. She references data: car ownership is below 2% of the population. Only 6% of Pakistanis hold a four-year university degree since partition. “If someone comes to Twitter, if someone says that he doesn’t have university education, and if it is, then it comes to the top 6%. Home ownership stats are like this,” she explains. The people attacking her for privilege are, by definition, privileged themselves.

Outrage culture’s double standards

Muzamil raises the central irony he’s observed: the same people defending freedom of expression will, in the next tweet, call for banning content they dislike. They stand up for media freedom while proposing lists of things that “should be banned instead.” “How can you stand up for complete freedom while even jokingly say ban influencers or whatever,” Muzamil asks. Saman connects this to The Social Dilemma, a Netflix documentary about how platforms algorithmically reward outrage. On Twitter, the currency is who gets the most likes, and the path to likes is attacking someone new each day. “The gangster was always the most popular. The bully was always the most popular,” she observes. People don’t realize they’ve become bullies; they think they’re being morally righteous. This dynamic silences the center and amplifies the extremes.

The economics of employment

Muzamil goes deeper into an observation Saman made: critics attack influencers for accepting brand deals worth 50,000 rupees while simultaneously promoting their own expensive small businesses. “They will say, oh, a great iPhone. Okay, we will not say iPhone, it will be mainstream, they will have a hipster store and I saw a lot of people saying about our product, completely made in Pakistan, creates all the jobs,” Saman recalls. The next day, those same critics promote a 500-rupee t-shirt brand. The hypocrisy isn’t just personal; it’s rooted in a fundamental misunderstanding of how economies work. When Saman’s video went viral, critics zoomed in on a person’s hand in the background washing water, claiming this proved she was elite and disconnected. “He could also be my brother. Nobody could also be the girl’s hand. But on that, I targeted that I am an elite,” she notes. The accusation doesn’t land because it’s not grounded in reality. Employment is good. Paying someone to work their job, to feed their family, is not exploitation. Charity is voluntary. Taxation funds public goods. These ideas are not controversial outside the algorithm.

Living in the spectrum

By episode’s end, Muzamil and Saman arrive at a quieter truth. When you become visible online, you’re not addressing one audience; you’re trying to speak across an entire society at once. Rural audiences with one worldview, urban audiences with another, people on the left, people on the right, and everyone in between. “The only way to survive is you get a thick skin and you keep doing what you’re doing,” Saman concludes. Muzamil emphasizes that the real victims aren’t the creators who can handle criticism, but young people growing up in this toxicity. “What truly scares me is my children,” he says. A society that attacks people for both speaking up and staying silent, for being ambitious and for resting, for earning and for not earning, is a society that has lost the capacity to learn. Saman’s message to followers is clear: “Everybody does not have to be perfect, and everybody does not have to make everybody happy.” The conversation ends not with solutions but with the recognition that some pressure is coming from within systems designed to reward it, and the only defense is to stay rooted in what matters.

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Muzamil Hasan speaking on stage